{"id":2287,"date":"2022-04-26T05:55:38","date_gmt":"2022-04-26T05:55:38","guid":{"rendered":"https:\/\/www.pictorshop.ro\/blog\/?p=2287"},"modified":"2025-02-03T15:54:41","modified_gmt":"2025-02-03T12:54:41","slug":"pigmenti-tipuri-de-verde-in-pictura","status":"publish","type":"post","link":"https:\/\/www.pictorshop.ro\/blog\/pigmenti-tipuri-de-verde-in-pictura\/","title":{"rendered":"Pigmen\u021bi \u00een pictur\u0103 – tipuri de verde"},"content":{"rendered":"
Cuprins<\/div>
<\/span><\/span><\/span><\/span><\/div><\/div>
<\/div>
    <\/ol><\/div><\/div><\/div>

    Culoarea verde<\/a> este una dintre cele mai pl\u0103cute culori ce creeaz\u0103 o atmosfer\u0103 de senin\u0103tate \u0219i calm. Din acest motiv, mul\u021bi pictori, arhitec\u021bi \u0219i designeri folosesc verdele \u00een proiectele lor. Verdele este culoarea pe care o asociem cu natura, via\u021ba, vegeta\u021bia \u0219i re\u00eennoirea. De-a lungul istoriei, pigmentul verde a fost, de asemenea, \u00een centrul aten\u021biei pentru c\u0103 are o semnifica\u021bie special\u0103 \u00een diferite regate, imperii, religii \u0219i societ\u0103\u021bi. Afl\u0103 din articolul nostru care sunt tipurile de pigmen\u021bi verzi \u00een pictur\u0103 \u0219i \u00eenva\u021b\u0103 cum s\u0103 \u00eei folose\u0219ti.<\/p>

    Importan\u021ba pigmen\u021bilor verzi<\/strong><\/h2>

    Verdele este o combina\u021bie \u00eentre dou\u0103 culori primare \u2013 albastru \u0219i galben \u2013 \u0219i are o simbolistic\u0103 puternic\u0103, fiind asociat cu natura, echilibrul \u0219i re\u00eennoirea. Datorit\u0103 prevalen\u021bei sale \u00een mediul \u00eenconjur\u0103tor, oamenii au \u00eencercat \u00eenc\u0103 din cele mai vechi timpuri s\u0103 \u00eel reproduc\u0103 \u00een pictur\u0103, textile \u0219i arhitectur\u0103. Cu toate acestea, ob\u021binerea unui pigment verde stabil s-a dovedit a fi o provocare mai mare dec\u00e2t pentru culorile ro\u0219u sau galben. Pigmen\u021bii naturali verzi se decoloreaz\u0103 rapid sau sunt toxici, a\u0219a cum era cazul verdelui de arsenic, utilizat \u00een secolul al XIX-lea.<\/p>

    Scurt istoric despre culoarea verde<\/strong><\/h2>

    \u00cen Antichitate, pigmentul pur de verde<\/strong> era disponibil arti\u0219tilor sub form\u0103 de p\u0103m\u00e2nt verde natural<\/strong> \u0219i minerale precum malachitul<\/strong>, care ofereau nuan\u021be intense, dar nu foarte stabile. Grecii antici au descoperit un nou mod de a ob\u021bine verdele, cre\u00e2nd nuan\u021ba Verdegris<\/strong> prin expunerea cuprului la acid acetic \u0219i r\u0103zuind crusta verde care se forma. Acest pigment a devenit extrem de popular \u00een pictur\u0103 \u0219i a fost utilizat timp de secole, \u00een ciuda faptului c\u0103 tindea s\u0103 se degradeze \u00een contact cu aerul \u0219i lumina. <\/p>

    \"istoric
    Piatra Malachit, surs\u0103 photo: signdesign.ro<\/figcaption><\/figure>

    Verdegris<\/strong> a r\u0103mas unul dintre cei mai folosi\u021bi pigmen\u021bi verzi p\u00e2n\u0103 \u00een secolul al XIX-lea, c\u00e2nd cercet\u0103rile chimice au condus la dezvoltarea unor pigmen\u021bi mai stabili \u0219i mai lumino\u0219i, precum Emerald Green<\/strong>, Cobalt Green<\/strong> \u0219i Viridian<\/strong>. Ace\u0219ti pigmen\u021bi au revolu\u021bionat paleta arti\u0219tilor, oferind tonuri mai intense \u0219i durabile. Datorit\u0103 propriet\u0103\u021bilor lor superioare, au fost rapid adopta\u021bi de pictorii impresioni\u0219ti, care \u00eei foloseau pentru a reda vibra\u021bia luminii naturale \u0219i bog\u0103\u021bia peisajelor. Ast\u0103zi, pigmen\u021bii verzi moderni continu\u0103 s\u0103 fie esen\u021biali \u00een art\u0103, permi\u021b\u00e2nd o gam\u0103 larg\u0103 de expresii cromatice.<\/p>

    \"pictura
    The Arnolfini Portrait<\/em>, Jan van Eyck, 1434<\/figcaption><\/figure><\/div>

    \u00cen timpul Rena\u0219terii, arti\u0219tii c\u0103utau solu\u021bii pentru a ob\u021bine nuan\u021be intense de verde, folosind pigmen\u021bi deriva\u021bi din plante, precum sucul de iarb\u0103 sau extractele de frunze. Totu\u0219i, aceste culori nu erau stabile, se decolorau rapid \u0219i \u00ee\u0219i pierdeau str\u0103lucirea \u00een contact cu lumina \u0219i aerul. Pentru a ob\u021bine un verde mai durabil, pictorii combinau pigmen\u021bi galbeni<\/strong> \u0219i pigmen\u021bi alba\u0219tri<\/strong> direct pe p\u00e2nza pentru pictur\u0103<\/a><\/strong>, dar acest lucru nu oferea \u00eentotdeauna rezultate uniforme.<\/p>

    \"pigmenti<\/figure><\/div>

    \u00cen mod surprinz\u0103tor, \u00een spatele simbolismului s\u0103u de echilibru \u0219i lini\u0219te, istoria culorii verde ascunde pove\u0219ti mai pu\u021bin pl\u0103cute. Dintre to\u021bi pigmen\u021bii folosi\u021bi \u00een art\u0103, niciunul nu a fost considerat mai toxic dec\u00e2t Scheele\u2019s Green. <\/p>

    Dezvoltat \u00een secolul al XVIII-lea de chimistul Carl Wilhelm Scheele<\/strong>, acest pigment con\u021binea arsenic, o substan\u021b\u0103 extrem de periculoas\u0103. \u00cenainte de a fi interzis, Scheele\u2019s Green<\/strong> nu era utilizat doar \u00een pictur\u0103, ci \u0219i pentru colorarea tapetelor, textilelor<\/a> \u0219i obiectelor de uz casnic. Expunerea prelungit\u0103 la acest pigment putea provoca intoxica\u021bii severe. Se poveste\u0219te c\u0103 p\u00e2n\u0103 \u0219i Napoleon Bonaparte ar fi fost afectat de pere\u021bii verzi ai locuin\u021bei sale din exil. Interzicerea sa a marcat un pas important spre utilizarea pigmen\u021bilor mai siguri, precum Viridianul, care a devenit rapid preferatul arti\u0219tilor.<\/p>

    \"\"
    Embroidery Woman<\/em>, Georg Friedrich Kersting, 1817<\/figcaption><\/figure><\/div>

    Aceast\u0103 nuan\u021b\u0103 special\u0103 de verde este considerat\u0103 de mul\u021bi responsabil\u0103 \u0219i pentru diabetul lui Paul C\u00e9zanne, deoarece expunerea \u00eendelungat\u0103 la compu\u0219ii toxici ai pigmentului putea afecta s\u0103n\u0103tatea. Din cauza pericolelor asociate, Scheele\u2019s Green a fost interzis oficial \u00een 1960, marc\u00e2nd sf\u00e2r\u0219itul utiliz\u0103rii sale \u00een art\u0103 \u0219i industrie.<\/p>

    La sf\u00e2r\u0219itul secolului al XIX-lea, a fost creat un pigment similar, dar mai pur, numit Paris Green<\/strong>. Acest pigment avea o nuan\u021b\u0103 intens\u0103 \u0219i vibrant\u0103, atr\u0103g\u00e2nd rapid aten\u021bia arti\u0219tilor, \u00een special a celor impresioni\u0219ti, care erau fascina\u021bi de culorile vii \u0219i efectele luminii. Numele s\u0103u provine de la popularitatea sa \u00een r\u00e2ndul pictorilor francezi din acea perioad\u0103. Cu toate acestea, Paris Green era la fel de toxic ca predecesorul s\u0103u, con\u021bin\u00e2nd arsenic \u0219i alte substan\u021be periculoase.<\/p>

    Expunerea prelungit\u0103 la acest pigment a dus la \u00eemboln\u0103virea multor arti\u0219ti, iar unii istorici consider\u0103 c\u0103 ar fi contribuit la orbirea lui Claude Monet. \u00cen cele din urm\u0103, \u0219i acest pigment a fost interzis, iar \u00een locul s\u0103u au fost dezvoltate alternative mai sigure pentru culori de ulei<\/a>, precum verdele de Viridian, care a devenit rapid preferatul pictorilor datorit\u0103 stabilit\u0103\u021bii \u0219i non-toxicita\u021bii sale.<\/p>

    Tipuri de pigmen\u021bi verzi<\/strong><\/h2>

    \u00cen prezent, exist\u0103 o varietate de pigmen\u021bi verzi pentru arti\u0219ti, fiecare av\u00e2nd caracteristici unice \u00een ceea ce prive\u0219te intensitatea, transparen\u021ba \u0219i stabilitatea \u00een timp. De\u0219i ai putea crede c\u0103 verdele este doar verde, \u00een realitate, fiecare pigment verde<\/strong> are nuan\u021be \u0219i subtonuri diferite, de la tonurile calde, apropiate de galben, p\u00e2n\u0103 la cele reci, cu accente alb\u0103strui. Alegerea corect\u0103 a pigmentului poate influen\u021ba semnificativ atmosfera \u0219i profunzimea unei lucr\u0103ri, fie c\u0103 este vorba de peisaje realiste, portrete expresive sau compozi\u021bii abstracte.<\/p>

    Unii pigmen\u021bi<\/a> sunt mai potrivi\u021bi pentru tehnicile de glazurare<\/a>, \u00een timp ce al\u021bii ofer\u0103 o acoperire intens\u0103 \u00eentr-un singur strat. De exemplu, pigmentul verde Viridian<\/strong> este apreciat pentru transparen\u021ba sa, \u00een timp ce Verdele de oxid de crom<\/strong> este cunoscut pentru opacitatea \u0219i rezisten\u021ba sa. \u00cen func\u021bie de tehnica folosit\u0103 \u2013 fie c\u0103 lucrezi cu culori de ulei, acrilice<\/a>, acuarel\u0103<\/a> sau gua\u0219\u0103<\/a> \u2013 anumite nuan\u021be pot fi mai potrivite pentru efecte de profunzime, amestecuri armonioase sau accente vibrante.<\/p>

    Pentru a te ajuta s\u0103 alegi nuan\u021ba potrivit\u0103 picturii tale, \u021bi-am preg\u0103tit o list\u0103 cu cei mai importan\u021bi \u0219i cei mai folosi\u021bi pigmen\u021bi verzi, al\u0103turi de caracteristicile \u0219i utiliz\u0103rile lor principale.<\/p>

    Emerald Green <\/strong>\u0219i Winsor Emerald<\/strong><\/h3>

    Pigmentul Emerald Green<\/strong> (verde smarald) este un albastru-verde str\u0103lucitor care \u00ee\u0219i ob\u021bine culoarea distinct\u0103 din urmele de crom \u0219i vanadiu. Cunoscut\u0103 \u0219i sub numele de Schweinfurt Green<\/strong>, Paris Green<\/strong> \u0219i Veronese Green<\/strong>, culoarea Emerald Green este un pigment pentru arti\u0219ti foarte popular \u0219i a fost aleas\u0103 culoarea anului \u00een 2013 la Pantone.<\/p>

    \"pigment<\/figure><\/div>

    Pigmentul Emerald Green<\/strong> a fost produs pentru prima dat\u0103 \u00een Germania, \u00een 1814, fiind ob\u021binut prin amestecarea \u0219i \u00eenc\u0103lzirea verdigrisului de cupru cu o\u021bet \u0219i arsen alb, urmate de macinarea sedimentului \u00een ulei de in. Acest pigment a fost prezentat ca o versiune mai robust\u0103 \u0219i mai rezistent\u0103 la lumin\u0103 a verdelui lui Scheele, av\u00e2nd o str\u0103lucire distinctiv\u0103, diferit\u0103 de orice alt\u0103 nuan\u021b\u0103 de verde disponibil\u0103 p\u00e2n\u0103 atunci.<\/p>

    Cu toate acestea, Emerald Green avea aceea\u0219i tendin\u021b\u0103 de a se \u00eeng\u0103lbeni atunci c\u00e2nd era amestecat cu nuan\u021be care con\u021bineau sulf, cum ar fi Cadmium Yellow<\/strong>, Vermillion<\/strong> \u0219i Ultramarine<\/strong>, ceea ce limita aplicabilitatea sa \u00een anumite lucr\u0103ri. \u00cen plus, pigmentul era extrem de otr\u0103vitor din cauza con\u021binutului de arsenic<\/strong>, ceea ce a f\u0103cut ca utilizarea sa s\u0103 fie periculoas\u0103 pentru arti\u0219ti \u0219i altele din apropiere.<\/p>

    Emerald Green a fost totu\u0219i un pigment relativ ieftin de produs \u0219i, de aceea, a fost utilizat pe scar\u0103 larg\u0103 pentru a colora \u021bes\u0103turi, tapete \u0219i obiecte de uz casnic. Problema major\u0103 era c\u0103, atunci c\u00e2nd aceste obiecte colorate erau din nou ude, se degajau vapori toxici care puteau fi chiar mortali, expun\u00e2ndu-i pe cei care le manipulau la riscuri grave pentru s\u0103n\u0103tate.<\/p>

    Ast\u0103zi, Winsor Emerald<\/strong> <\/a>din gama de culori ulei<\/strong> recreeaz\u0103 acela\u0219i impact de albastru-verde str\u0103lucitor, dar f\u0103r\u0103 riscurile toxice asociate cu pigmentul original. Fabricat din pigmentul PG36 Phthalo Green<\/strong>, Winsor Emerald nu prezint\u0103 pericole pentru s\u0103n\u0103tate, oferind o colorare opac\u0103, permanent\u0103, str\u0103lucitoare \u0219i curat\u0103, fiind considerat succesorul ideal al vechiului Emerald Green. Acest pigment modern aduce acelea\u0219i beneficii vizuale ale nuan\u021bei, dar \u00eentr-un mod mult mai sigur pentru arti\u0219ti.<\/p>

    Sap Green<\/strong><\/h3>

    Sap Green<\/strong> este un pigment de lac care a fost ini\u021bial realizat din sucul de fructe de p\u0103dure necoapte de la planta de c\u0103tin\u0103 (Rhamnus<\/strong>). \u00cen Evul Mediu, culoarea extras\u0103 din boabele de c\u0103tin\u0103 a fost redus\u0103 la un sirop greu \u0219i v\u00e2ndut \u00een vezica de porc, mai degrab\u0103 dec\u00e2t sub forma unui pigment uscat.<\/p>

    \"pigment<\/figure><\/div>

    Sucul era presat din boabe, amestecat cu un alum (un agent sicativ sau de uscare) \u0219i \u00eengro\u0219at prin evaporare. Liantul nu era ad\u0103ugat din cauza \u00eengro\u0219\u0103rii naturale a sucului. Acest proces producea un sirop verde, lipicios \u0219i transparent, pe care arti\u0219tii l-au folosit \u00een pictur\u0103 \u0219i \u00een manuscrise, fiind apreciat pentru tonul s\u0103u galben-verde distinctiv.<\/p>

    Formul\u0103rile moderne de Sap Green<\/strong> nu mai includ boabe de c\u0103tin\u0103, dar Sap Green<\/strong> marca Winsor & Newton<\/a> este permanent \u0219i rezistent la lumin\u0103. Popularitatea acestei culori galben-verde a dus la includerea ei \u00een diverse game de culori ulei<\/strong>, acrilice<\/strong>, acuarel\u0103<\/strong> \u0219i guas\u0103<\/strong>, oferind arti\u0219tilor o op\u021biune versatil\u0103 pentru a ad\u0103uga nuan\u021be naturale \u0219i subtile lucr\u0103rilor lor. Pigmentul modern \u00ee\u0219i p\u0103streaz\u0103 caracteristicile de transparen\u021b\u0103 \u0219i rezisten\u021b\u0103, dar \u00eentr-un format mult mai accesibil \u0219i sigur de utilizat.<\/p>

    Phthalo Green<\/strong> – PG7 <\/strong>\u0219i PG36 <\/strong><\/h3>

    Acest verde este capabil s\u0103 produc\u0103 o gam\u0103 larg\u0103 de amestecuri de culori utile, de la culori naturale transparente \u0219i subtile, p\u00e2n\u0103 la cele puternice, opace \u0219i str\u0103lucitoare. Din acest motiv, a devenit cel mai popular verde folosit de arti\u0219ti. Introducerea sa a avut loc \u00een 1938, iar pigmentul este un colorant sintetic din grupul ftalocianinelor<\/strong>. Este o pulbere verde moale, insolubil\u0103 \u00een ap\u0103, care nu prezint\u0103 pericole pentru s\u0103n\u0103tate, fiind mult mai sigur de utilizat comparativ cu pigmentii tradi\u021bionali care con\u021bineau substan\u021be toxice, cum ar fi arsenicul.<\/p>

    \"\"<\/figure><\/div>

    \u00cenainte de introducerea acestui pigment, singura nuan\u021b\u0103 verde capabil\u0103 de o str\u0103lucire similar\u0103 era Emerald Green<\/strong>, \u00eens\u0103 acesta din urm\u0103 avea o durabilitate mai sc\u0103zut\u0103 \u0219i o tendin\u021b\u0103 de a se \u00eeng\u0103lbeni mai rapid. Prin urmare, pigmentul sintetic a adus o \u00eembun\u0103t\u0103\u021bire semnificativ\u0103 \u00een ceea ce prive\u0219te permanen\u021ba culorii \u0219i stabilitatea pe termen lung, iar aceast\u0103 formul\u0103 modern\u0103 a devenit rapid un favorit al pictorilor din diverse col\u021buri ale lumii.<\/p>

    Phthalocyanine Green<\/strong> – PG 7 <\/strong><\/h3>

    Nuan\u021ba: verde rece cu subtonuri albastre.<\/p>

    \"\"<\/figure><\/div>

    Pigmentul Phthalo Green<\/strong> absoarbe mai mult\u0103 lumin\u0103 albastr\u0103 dec\u00e2t Phthalo Blue<\/strong> (PB 15), iar acest lucru se realizeaz\u0103 prin clorurarea pigmentului cu ftalocianina de cupru<\/strong>. Este o culoare catifelat\u0103, cu subtonuri albastre foarte profunde, care o face ideal\u0103 pentru amestecuri complexe \u0219i nuan\u021be vibrante. Datorit\u0103 caracteristicilor sale de absorb\u021bie a luminii, Phthalo Green are o intensitate mare \u0219i o transparen\u021b\u0103 remarcabil\u0103.<\/p>

    Pentru a explora diverse efecte cromatice, po\u021bi \u00eencerca s\u0103-l amesteci cu Pyrrole Red<\/strong> (PR 254, PR 255 sau PR 264) pentru a ob\u021bine un negru cromatic, o nuan\u021b\u0103 profund\u0103 \u0219i interesant\u0103, sau cu Lemon Yellow<\/strong> (cum ar fi PY 175) pentru a ob\u021bine un verde str\u0103lucitor de prim\u0103var\u0103, vibrant \u0219i luminos. Aceste combina\u021bii \u00ee\u021bi permit s\u0103 controlezi cu precizie tonurile \u0219i intensitatea culorii, aduc\u00e2nd diversitate \u00een paleta de pictur\u0103<\/a> \u0219i deschiz\u00e2nd oportunit\u0103\u021bi pentru o gam\u0103 larg\u0103 de lucr\u0103ri artistice, de la peisaje luminoase la amestecuri mai intense.<\/p>

    Chromium Oxide Green<\/strong> – PG 17 <\/strong><\/h3>

    Nuan\u021ba: galben-verde dens, opac.<\/p>

    \"pigment<\/figure><\/div>

    Chromium Oxide Green a fost produs pentru prima data in 1798. Este un pigment dens si opac ce poate fi folosit ca baza pentru portrete (underpainting), precum si pentru realizarea ilustratiilor botanice. Cand il amesteci cu o cantitate mare de Titanium White (PW 6), obtii o culoare palida de lamaie.<\/p>

    Artistii folosesc Chromium Oxide Green pentru a obtine nuante diverse de verde. Este cunoscut si sub numele de Chrome Green si este unul dintre cei mai stabili pigmenti verzi.<\/p>

    Chromium Oxide Green se foloseste nu doar in culorile pentru pictura, ci si in vopseaua de camuflaj.<\/p>

    Viridian<\/strong> – PG 18 <\/strong><\/h3>

    Nuan\u021b\u0103: verde rece cu subtonuri albastre, semi-transparent\u0103. Nu este toxic, are rezisten\u021b\u0103 ridicat\u0103 la lumin\u0103 \u0219i este perfect pentru glazurare. Absorb\u021bia mare de ulei a lui Viridian \u00eel face o vopsea de ulei cu uscare rapid\u0103.<\/p>

    \"pigment<\/figure><\/div>

    Viridian<\/strong> se reg\u0103se\u0219te \u00een multe dintre picturile impresionistilor \u0219i postimpresionistilor \u0219i continu\u0103 s\u0103 fie un pigment popular \u0219i \u00een prezent. Este o nuan\u021b\u0103 relativ \u00eenchis\u0103, ideal\u0103 pentru amestecuri \u00eenchise. Po\u021bi s\u0103-l amesteci cu Alizarin Crimson<\/strong> (PR83) pentru a ob\u021bine un negru intens sau cu Raw Sienna<\/strong> (PBr 7) pentru a crea un verde bogat \u0219i natural.<\/p>

    Cuv\u00e2ntul \u201eViridian\u201d provine din latina \u201eViridis<\/strong>\u201d, care \u00eenseamn\u0103 verde, \u00eenflorit, viguros, \u0219i reflect\u0103 caracteristicile acestei culori, care poate ad\u0103uga o not\u0103 de vitalitate lucr\u0103rilor tale. Atunci c\u00e2nd este amestecat cu galben, portocaliu sau ro\u0219u, Viridianul d\u0103 via\u021b\u0103 unei game impresionante de verzi naturali, ceea ce \u00eel face un produs de baz\u0103 versatil pe \u0219evaletul<\/a> oric\u0103rui artist. Datorit\u0103 acestui efect, este un pigment folosit at\u00e2t pentru peisaje naturale, c\u00e2t \u0219i pentru lucr\u0103ri mai abstracte, ce necesit\u0103 o nuan\u021b\u0103 de verde intens \u0219i vibrant.<\/p>

    Viridianul a ap\u0103rut al\u0103turi de al\u021bi pigmenti sintetici, cum ar fi Blue Cobalt<\/strong> \u0219i Cadmium Yellow<\/strong>, \u00een prima jum\u0103tate a secolului al XIX-lea. De\u0219i Chromium<\/strong>, componenta sa cheie, a fost descoperit\u0103 \u00een 1797, primul preparat de Viridian este creditat francezului Pannetier<\/strong> \u0219i asistentului s\u0103u Binet<\/strong>, \u00een jurul anului 1838. \u00cen ciuda faptului c\u0103 verdele lui Pannetier a fost extrem de scump, \u00een cele din urm\u0103, Guignet<\/strong> a brevetat o metod\u0103 mai ieftin\u0103 de fabrica\u021bie, care a dus la o popularizare semnificativ\u0103 a pigmentului.<\/p>

    Odat\u0103 ce Viridian<\/strong>, cunoscut \u0219i sub numele de Green Guignet<\/strong>, a devenit mai accesibil, a fost o alegere popular\u0103 pentru pictorii impresionisti \u0219i postimpresioni\u0219ti. Datorit\u0103 acestei popularit\u0103\u021bi, a r\u0103mas un pigment esen\u021bial chiar \u0219i \u00een prezent. Mai recent, Viridian a jucat un rol important \u00een autentificarea capodoperelor, av\u00e2nd un impact semnificativ \u00een cercet\u0103rile despre lucr\u0103rile lui Van Gogh<\/strong>, Kandinsky<\/strong> \u0219i Klee<\/strong>, pentru c\u0103 pigmentul produs la \u00eenceputul secolului al XX-lea con\u021bine un produs secundar care nu se mai g\u0103se\u0219te \u00een fabricarea modern\u0103 a acestuia.<\/p>

    Cobalt Green Pale<\/strong> – PG 19<\/strong><\/h3>
    \"pigment<\/figure><\/div>

    Nuan\u021ba: opac\u0103, variaza de la albastru p\u00e2n\u0103 la turcoaz \u0219i galben-verde.<\/p>

    Viridian<\/strong>, un pigment esen\u021bial pentru mul\u021bi arti\u0219ti, este cunoscut pentru versatilitatea sa \u0219i intensitatea culorii. Un alt pigment<\/strong> <\/a>cu o poveste interesant\u0103 este Rinman\u2019s Green<\/strong>, descoperit \u00een 1780 de chimistul suedez Sven Rinman<\/strong>. Acest pigment<\/strong> este mai pu\u021bin folosit ast\u0103zi, dar are un rol important datorit\u0103 caracteristicilor sale unice. Rinman\u2019s Green variaz\u0103 \u00een intensitate \u00een func\u021bie de cantitatea de oxid de zinc<\/strong> utilizat\u0103 \u00een compozi\u021bie: cu c\u00e2t mai mult oxid de zinc, cu at\u00e2t nuan\u021ba devine mai palid\u0103.<\/p>

    Acest pigment<\/strong> verde produce o nuan\u021b\u0103 delicat\u0103 \u0219i luminoas\u0103, care se poate utiliza pentru a crea amestecuri subtile \u0219i tonuri naturale. C\u00e2nd este combinat cu alte nuan\u021be, cum ar fi Alizarin Crimson<\/strong> sau Phthalo Blue<\/strong>, poate da rezultate foarte interesante \u0219i sofisticate. Chiar dac\u0103 nu este la fel de popular ca Viridian<\/strong> sau alte nuan\u021be verzi, Rinman\u2019s Green<\/strong> adaug\u0103 o not\u0103 distinctiv\u0103 lucr\u0103rilor de art\u0103, fiind un pigment<\/strong> care poate fi folosit \u00eentr-un mod creativ \u0219i experimental pentru a ob\u021bine efecte vizuale deosebite.<\/p>

    Green Earth<\/strong> – PG 23 <\/strong><\/h3>

    Nuan\u021ba: semi-transparent, variaz\u0103 de la un verde albastru p\u00e2n\u0103 la un verde galben.<\/p>

    \"pigment<\/figure><\/div>

    Green Earth<\/strong>, cunoscut \u0219i sub denumirea de Terre Verte<\/strong>, este un pigment natural care con\u021bine argil\u0103 de siliciu \u0219i minerale verzi. Folosit din cele mai vechi timpuri, acest pigment<\/strong> de p\u0103m\u00e2nt are o istorie fascinant\u0103 \u0219i a fost esen\u021bial \u00een paletele artistice preistorice.<\/p>

    Terre Verte este un pigment<\/strong> foarte delicat, cu o rezisten\u021b\u0103 sc\u0103zut\u0103 la schimb\u0103rile de nuan\u021b\u0103, ceea ce \u00eel face mai pu\u021bin puternic \u00een amestecuri. Totu\u0219i, calit\u0103\u021bile sale subtile \u00eel fac ideal pentru anumite tehnici, cum ar fi neutralizarea pigmen\u021bilor<\/strong> ro\u0219ii \u0219i portocalii, sau utilizarea sa ca baz\u0103 pentru realizarea portretelor. \u00cen acest sens, este folosit \u0219i sub numele de Verdaccio<\/strong>, av\u00e2nd un rol important \u00een crearea subtonurilor pielii, \u00een special \u00een pictura clasic\u0103.<\/p>

    De\u0219i nu este la fel de vibrant sau intens ca alte nuan\u021be de verde, Terre Verte<\/strong> r\u0103m\u00e2ne un pigment<\/strong> important datorit\u0103 flexibilit\u0103\u021bii sale \u0219i a capacit\u0103\u021bii de a ad\u0103uga subtilitate \u0219i naturale\u021be lucr\u0103rilor artistice.<\/p>

    PG 26<\/strong> – Cobalt Green<\/strong> <\/h3>

    Nuan\u021ba: semi-transparent, permanent, de la albastru turcoaz la verde \u00eenchis.<\/p>

    \"pigmenti<\/figure><\/div>

    Pigmentul verde PG26 Cobalt Chrome Oxide<\/strong> este cea mai profund\u0103 nuan\u021b\u0103 de Cobalt Green<\/strong>. Acest pigment<\/strong> se usuc\u0103 rapid \u0219i este o culoare mai slab\u0103, cu o nuan\u021b\u0103 redus\u0103, care prezint\u0103 o granula\u021bie foarte mare, \u00een special \u00een acuarel\u0103. Po\u021bi amesteca Cobalt Green<\/strong> cu Unbleached Titanium White<\/strong> (PW 6:1) pentru a ob\u021bine un ton moale de galben-verzui, ideal pentru efecte subtile \u0219i luminoase.<\/p>

    \u00cen 1780, chimistul suedez Sven Rinman<\/strong> a dezvoltat procesul de fabricare a unui compus din cobalt \u0219i zinc. Prin expunerea acestui amestec la c\u0103ldur\u0103 puternic\u0103 \u0219i apoi sp\u0103larea sa, pigmentul Cobalt Green<\/strong> a fost creat \u0219i a fost gata de a fi m\u0103cinat.<\/p>

    De\u0219i Cobalt Green<\/strong> era disponibil din 1835, abia dup\u0103 1860 a devenit utilizat pe scar\u0103 larg\u0103, datorit\u0103 disponibilit\u0103\u021bii mai mari a oxidului de zinc. Arthur Church<\/strong>, chimist \u0219i pictor amator, a publicat procesul lui Rinman \u00een 1901 \u00een cartea sa The Chemistry of Paints and Painting<\/em>, l\u0103ud\u00e2nd Cobalt Green<\/strong> ca fiind \u201eperfect din punct de vedere chimic \u0219i artistic\u201d. Acest pigment<\/strong> a devenit astfel o alegere popular\u0103 datorit\u0103 stabilit\u0103\u021bii sale \u0219i a calit\u0103\u021bilor sale deosebite \u00een lucr\u0103rile de art\u0103.<\/p>

    Phthalocyanine Green Yellow Shade<\/strong> – PG 36 <\/strong><\/h3>

    Nuan\u021ba: transparent, verde deschis cu subtonuri de galben.<\/p>

    \"pigment<\/figure><\/div>

    De regul\u0103, pigmentul<\/strong> Phthalo Green<\/strong> \u0219i Yellow Shade<\/strong> este mai scump dec\u00e2t alte variante \u0219i este realizat prin tratarea ftalocianinei de cupru cu brom. Acest pigment este unic prin faptul c\u0103 are o nuan\u021b\u0103 foarte galben\u0103, ceea ce \u00eel face extrem de versatil. Pigmentul adaug\u0103 un plus interesant atunci c\u00e2nd este amestecat cu pigmen\u021bi de p\u0103m\u00e2nt<\/a><\/strong> \u0219i ro\u0219u<\/strong>, oferind o gam\u0103 larg\u0103 de tonuri \u0219i efecte interesante \u00een lucr\u0103rile de art\u0103.
    <\/p>


    \u021aine cont de informa\u021biile pe care \u021bi le-am oferit atunci c\u00e2nd \u00ee\u021bi alegi nuan\u021ba de verde, astfel nu vei da gre\u0219. Este important s\u0103 iei \u00een considerare \u0219i rezisten\u021ba la lumin\u0103 \u0219i gradul de transparen\u021b\u0103, deoarece acestea sunt criterii esen\u021biale care influen\u021beaz\u0103 rezultatul final al picturii tale. Sper\u0103m c\u0103 sfaturile noastre te vor ghida spre alegerea celei mai potrivite nuan\u021be de verde. Te invit\u0103m s\u0103 \u00eemp\u0103rt\u0103\u0219e\u0219ti cu noi rezultatul muncii tale, fie \u00een comentarii, fie pe pagina noastr\u0103 de Instagram. A\u0219tept\u0103m cu ner\u0103bdare s\u0103 vedem cum prinde via\u021b\u0103 crea\u021bia ta! <\/p>

    \u00a0\u00cen\u00a0articolele noastre<\/a>, vei descoperi detalii despre pigmenti istorici, precum vermilionul sau purpura tirian\u0103, dar \u0219i despre noile tehnologii care au dus la crearea unor culori inovatoare. Descoper\u0103 lucruri fascinante despre\u00a0ro\u0219u<\/a>,\u00a0rose madder<\/a>,\u00a0portocaliu<\/a>,\u00a0albastru<\/a>,\u00a0galben<\/a>,\u00a0gri<\/a>,\u00a0alb<\/a>\u00a0sau\u00a0negru<\/a>.<\/p>","protected":false},"excerpt":{"rendered":"

    Culoarea verde este una dintre cele mai pl\u0103cute culori ce creeaz\u0103 o atmosfer\u0103 de senin\u0103tate \u0219i calm. Din acest motiv, mul\u021bi pictori, arhitec\u021bi \u0219i designeri folosesc verdele \u00een proiectele lor. Verdele este culoarea pe care o asociem cu natura, via\u021ba, vegeta\u021bia \u0219i re\u00eennoirea. De-a lungul istoriei, pigmentul verde a fost, de asemenea, \u00een centrul aten\u021biei …<\/p>\n","protected":false},"author":6,"featured_media":2337,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33,29,5,23],"tags":[109,73,113,111,112,110,114],"class_list":["post-2287","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articole-recente","category-diverse","category-featured","category-tehnici-materiale-arta","tag-culoarea-verde","tag-istoria-culorilor","tag-istoria-pigmentilior","tag-nuante-de-verde","tag-tipuri-de-verde","tag-verde","tag-verde-in-istorie"],"yoast_head":"\nPigmen\u021bi \u00een pictur\u0103 - tipuri de verde - Pictorshop Blog - Informatii pentru pasionatii de arta<\/title>\n<meta name=\"description\" content=\"Afl\u0103 acum din articolul nostru c\u00e2\u021bi pigmen\u021bi de verde exist\u0103 \u00een pictur\u0103. 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